Things have changed since I graduated
from high school in 2004. Having now worked a number of years in retail and
always having my finger tightly pressed against the cultural pulse, I have
noticed the subtle differences in today’s youth verses my teenage experience.
Back in those days I was active in the art club,I worked as the entertainment editor
of the school newspaper, and I rubbed elbows with drama department. Basically, I was nerd
before it was cool. Divisions between
class, race, religion and lifestyles were always
clear, and if they were not enforced by the students than they were at least implied. However
today, with the rise of the internet, with tolerance and diversity made
marketable and the hipster culture coopting nerdiness as a fashion choice, it
has become a whole new world out there. This seems to be the driving interest
for “21 Jump Street”, a raunchy bromantic action-comedy, based on late 80s
television series that launched Johnny Depp into stardom.
The film stars Channing Tatum and
Jonah Hill, who play Shmidt and Jenko, two kids who didn’t get to go to their
prom. Jenko (Tatum) was refused because of his bad grades and Shmidt (Hill)
because he could find anyone who wanted to go with him. Later, though being
enemies in high school, the two find themselves training together in the police
academy and quickly become friends. After they botch a simple drug detainment they
are both sent on a secret mission where they are put back to high school to
gather evidence on a dangerous new drug that’s been making its rounds among the
local teens. While working undercover as students they form new friends and
allegiances. Soon they both realize that the newer generation’s politics have
turned the tables on the jocks, leaving Jonah Hill’s character with the social advantage
over the jock-ish Tatum.
There are a few reasons why “21
Jump Street” works. First of all it doesn’t bother to connect too much with the
original source material of the old TV series. The plot follows the same
conceit and shares the title obviously, but pretty quickly the movie becomes
something of its own with an entirely different kind of appeal. It knows how
poke fun at itself and breaks the fourth wall without becoming annoyingly
self-aware or trying too hard to be hipper than the audience. The writer
Michael Becall and directors Phil Lord and Chris Miller should be commended for
rescuing this project that was probably conceived as a lazy marketing strategy
(a funny bit of dialogue from the film even suggests this). What could have so
easily just been studio-product was turned into a funny self-mocking satire with
some interesting things to say.
Secondly, the performances by both
Jonah Hill and Channing Tatum are great. They have genuine comedic chemistry
and their characters both have a clear motivation and arc within the plot. Having
not always been a supporter, Tatum in particular has been surprising me more
and more as he has grows as an actor. After almost rescuing the confused Ron
Howard film “The Dilemma” and keeping me laughing in this, it would seem that
he has a unique comedic talent, especially when he lampoons the thickheaded/bighearted
characters he began his acting career with. The side performances by Rob Riggle
as the over excited coach, Ice Cube as the “angry black cop”, and Ellie Kemper
as the horny chemistry teacher, are all chuckle-worthy as well.
My only beef with “21 Jump Street”
is that once the third act begins and the plot has to be resolved, the movie
begins to shift gears from socially conscious humor to broader slapstick humor based
in elaborate action set-pieces. Some twists in the plot don’t pay off as much
as the writers think they do and as I watched shoot-outs and explosions
dominate the latter half of the film a good 12-15 minutes went by without a
laugh. This unfortunately has been a common misstep in over-budgeted comedies.
So considering this franchise was neither
required nor demanded to be made into a comedic reboot, the movie should make
you laugh enough to feel like you spent your money wisely. If you’re like me
and you feel a growing cultural disconnect with the kids who have been raised
on iphones and vegan diets in their cafeteria, then you might even find a
little insight and honesty behind the laughs. “21 Jump Street” delivers whether
you went to school as a nerd or a jock.
Grade: B
Originally published in The Basic Alternative/ April-2012
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